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THE BEATLES Please Please Me (Rare 1964 Australian second issue 14-track mono LP. Similar to the first UK issue, this LP has a black & gold label but has the 'Made In Australia' credit moved to just under the 'Parlophone' logo, where the very first release had the credit around the bottom of the label under 'The Beatles'. This dates this issue to either January or February 1964, as they changed the label to the black & yellow version in March. As only five hundred sleeves were imported from the UK to house the first issue and they were available for just over two months, then it is statistically reasonable to believe that this second issue was made in similar quantities. The silk laminated flipback picture sleeve was printed in Australia, rather than a UK import, and was actually printed in blue to save money in case The Beatles were a passing pop fad! PMCO1202)
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Sgt. Pepper's - Wide Spine - VG
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The Beatles Please Please Me - 2nd vinyl LP album (LP record) Australian BTLLPPL604886
The Beatles Please Please Me - 2nd vinyl LP album (LP record) Australian BTLLPPL604886

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The Beatles
With The Beatles - 2nd EJD - Gotta - VG
UK
vinyl LP
The Beatles Please Please Me - 2nd Australian vinyl LP album (LP record)
Tracklisting / Additional Info: Background:

The Australian Mono LP issue was first released in October 1963. The first press of approximately five hundred copies used UK imported sleeves. This second press had a unique Australian printed silk laminate finish flipback sleeve.
Both presses were made from UK master plates and the first two presses both have -1N matrix endings.
The second press was done in January 1964 and used a slightly different black & gold label design, before being replaced by the more familiar black & yellow design when they started pressing in quantity [and also in Stereo] in March 1964.
This means that Mono copies of 'With the Beatles' also exist with this label design, although that had a unique sleeve & the black & gold label lasted less than a month.
Just to make things really confusing for the collector, when the Mono copies changed to the black & yellow design, the Stereo copies were issued on a black & silver label similar to the black & gold but with 'banner' style text.

For information: The first press labels had the 'Made in Australia' text runnng around the bottom of the label just inside the perimeter text & just under 'THE BEATLES'. The second issue has the 'Made In Australia' text to the left of centre, below the central dividing line under 'PARLOPHONE'. There were still small variations in font & placement, even on these restricted quantities of labels, but the main differentiator between first and second is the shift of 'Made In Australia'.

Like all Beatles presses, the description of 'first' and 'second' is more of an academic exercise as the presses didn't actually stop making Beatles records & had to run fairly constantly from 1964 until the mid Seventies to meet demand.
This was the first band to stress EMI pressing capacities to the point where they actually had to out source & they were unprepared for the sheer demand for Beatles records, all over the world.


Condition:

The sleeve is silk laminated in finish, which appears to be more a function of the thick paper / thin card they used than any actual laminating process. Because of their flimsy nature, these seldom survive in one piece.

The first thing that you will notice is that the sleeve text, both front & back, is cyan and not black. This was done for cost saving purposes as cyan ink was cheaper than black, rather than for any attempt to make the sleeve unique.
There is no 'MONO' logo at the top right of the sleeve as I guess that they didn't expect to be pressing anything other than this at the time.
The front picture is also unique, but in a more subtle way. Australian Union rules forbade the use of foreign negatives for sleeve artwork, so EMI Australia had to make their own. This was achieved by photographing an imported UK sleeve & making the print negative from that instead. This led to the sleeve art being not quite as crisp and a little more pastel than the UK original. Further evidence of this is that the Angus McBean credit on the front of the UK sleeve is actually visible on the bottom flipback on the back of this sleeve!

Unsurpisingly, given the flimsy nature of this sleeve, this sleeve is not without its battle scars. The sleeve has split along most of the bottom seam and has the beginnigs of a split to the centre of the spine. There is a degree of ringwear and minor discolouration, which is to be expected, along with some general stressing and a tear at the opening. There is a nice touch of a pre-decimal Australian price of fifty two shillings and sixpence being written on the top flipback.
The sleeve notes are the familiar Tony Barrow notes and, apart from being cyan, the back is very similar to the UK issue with Australian copyright text at the bottom.

What is remarkable, however, is that the sleeve shows no areas of paper loss & all text is still clearly readable. The flipbacks are complete and secure. This is far from being the usual case.

AS previously mentioned, the labels are of a black & gold design similar to the first UK issues. There are a few subtle differences, such as the inclusion of grammatically correct commas in some of the song titles and the large publishing logos near the centre. There is a fair amount of spindle marking aroung the centre hole, indication a degree of play [or a bad aim], but the labels remain clear and bright and do not appear to have faded unduly.

The matrices in the runoff area are the same as the UK presses, run off from UK plates, both ending -1N.

The vinyl is a little bit of a treat. Although obviously played, it does not suffer from the usual deep gouges of a much partied album, but instead retains the respectful dignity of a senior citizen that has been reasonably well looked after. There are a few light surface hairlines visible in places but nothing that interferes with play.
A certain amount of background noise is inevitable in cases like this, but this & any burring is kept to a minimum thanks to the heavyweight high quality pressing of the time.

It's not mint, no, but it remains one of the few survivors of the thousand or so Antipodean copies of this album on a black & gold label, so should be treasured just for that.
This is the first time we've actually managed to find a respectable copy like this in over thirty years of scouring the world for rare records and it may be some time before we are able to find another !

Tracklisting:

01. I Saw Her Standing There
02. Misery
03. Anna
04. Chains
05. Boys
06. Ask Me Why
07. Please Please Me
08. Love Me Do
09. PS
Condition : This item is in Excellent condition or better (unless it says otherwise in the above description). We buy items as close to Mint condition as possible and many will be unplayed and as close to new as you could hope to find. Irrespective of the source, all of our collectables meet our strict grading and are 100% guaranteed. Click here for more info.
Availability: Sold Out - 'Request Next' to get an email if it comes back into stock.
Year of Release: 1964
Artist: The Beatles (click here for complete listing)
Title: Please Please Me (click here for more of the same title)
Postage/Shipping: Add item to your basket for a postage/shipping quote
Format: vinyl LP album (LP record)
Record Label: Parlophone
Catalogue No: PMCO1202
Country of Origin: Australia  
Language: Regardless of country of origin all tracks are sung in English, unless otherwise stated in our description.
Additional info: Deleted
EIL.COM Ref No BTLLPPL604886 (quote this reference in any e-mails, letters, faxes or phone calls to help identify this item)
Genres: 60s Beat, 60s Pop, 60s Rock, Apple label, POP
Related Artists: Aashish Khan, Ananda Shankar, Arthur Wilkinson, Astrid Kirchherr, Attitudes, Backbeat, Billy Preston, Bobby Keys, Brian Epstein, Brute Force, Café Crème, Carl Groszmann, Cavern Sound, Chris Hodge, Colonel, Cynthia Lennon, Dark Horse Records, David Hentschel, DBM, Denny Laine, Derek Taylor, Dhani Harrison, Easy Pieces, Elastic Oz Band, Elephant's Memory, George Harrison, George Martin, Goddess Of Fortune, Guthrie Thomas, Handmade Films, Henry McCullough, Hollyridge Strings, Jackie Lomax, James McCartney, Jimmy McCulloch & White Line, Jimmy Nicol, Jiva, Joey Molland, John Lennon, John Tavener, Johnny Warman, Julian Lennon, Julie Ege, Kamikaze One 85, Keni Burke, Klaus Voormann, Linda McCartney, Lon & Derrek Van Eaton, Maharishi Mahesh Yogi, Mary Hopkin, Musketeer Gripweed, NEMS (Record Label), New World Electronic Chambre Ensemble, Oasis (Mary Hopkin), Paul McCartney and Wings, Peace Choir, Percy Thrillington, Pete Best, Radha Krishna Temple, Ravi Shankar, Ray Cathode, Ringo Or Robin, Ringo Starr, Roger Webb, Ronnie Spector, Rory Storm And The Hurricanes, Ross, Russ Sainty, Rusty Anderson, Sean Lennon, Smokin' Mojo Filters, Splinter, Stormer, Stuart Sutcliffe, Suzanne, Suzy And The Red Stripes, Sylvia Griffin, Tee-M, The Aerovons, The Alpha Band, The Bedrocks, The Black Dyke Mills Band, The Claypool Lennon Delirium, The Country Hams, The Fireman, The Fool, The London Jazz Four, The Marbles (60s), The Mirza Men, The Moonlandingz, The Quarrymen, The Remo Four, The Sundown Playboys, Thenewno2, Tommy Quickly, Tony Sheridan, Trash (70s), Traveling Wilburys, Yoko Ono
Complete Stock List: The Beatles
email: sales@eil.com to contact our sales team.
Alternative Names: LES BEATLES,LOS BEATLES,DIE BEATLES,FAB FOUR
To order by phone: Call +44 1474 815010 quoting EIL.COM reference number BTLLPPL604886

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