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	ORIGINAL SOUNDTRACK Blow-Up (2014 UK/EU 13-track stereo LP pressed on 180-gram audiophile vinyl, featuring music from the soundtrack to the classic 1966 Antonioni film by Herbie Hancock, including that bassline on Bring Down The Birds plus Stroll On by The Yardbirds, one of only three rare tracks featuring both Jeff Beck & Jimmy Page! The songs evoke the ambience of swinging Sixties' London with grooves that create effective bluesy Jazz moods on the slow pieces, and f Tracklisting: unky ones on the up-tempo tracks. Picture sleeve with hype sticker, inside its resealable clear outer. Recommended)��SIDE A 1. MAIN TITLE - "BLOW UP" 2. VERUSHKA PART I 3. VERUSHKA PART II 4. THE NAKED CAMERA 5. BRING DOWN THE BIRDS 6. JANE'S THEME SIDE B 1. STROLL ON 2. THE THIEF 3. THE KISS 4. CURIOSITY 5. THOMAS STUDIES PHOTOS 6. THE BED 7. END TITLE - "BLOW UP" Blow-Up is a soundtrack album by Herbie Hancock featuring music composed for Michelangelo Antonioni's cult film Blow-Up, released in 1966. Musically the songs evoke the ambience of swinging Sixties' London with grooves that create effective bluesy Jazz moods on the slow pieces, and funky ones on the up-tempo tracks. The album features performances by Herbie Hancock on keys, Freddie Hubbard and Joe Newman on trumpet, Phil Woods and Joe Henderson on sax, Ron Carter on bass and Jack DeJohnette on drums. Rumours go that either the fabled Jimmy Smith or Paul Griffin played the Hammond organ on this record. Rock fans remember the film and the soundtrack for the inclusion of a rare Yardbirds number, "Stroll On" (actually, a Hard Rock adaptation of Tiny Bradshaw's Jump Blues"The Train Kept A-Rollin'" from 1951), one of only three songs they recorded with both Jeff Beck and Jimmy Page on guitars. The bassline to "Bring Down The Birds" was sampled by Deee-Lite for their 1990 hit single "Groove Is In The Heart" featuring Bootsy Collins. 180 gram audiophile vinyl
	HERBIE HANCOCK Maiden Voyage (1983 Japanese limited edition stereo issue of the classic 1965 5-track LP, in King Records' 'Special Replica 15' series, pressed on high quality vinyl, complete with catalogue inner, Japanese insert, picture sleeve replicating the original album artwork & obi-strip. Featuring fellow jazz geniuses from the brotherhood, Freddie Hubbard, George Coleman, Ron Carter and Anthony Williams, this was arguably the greatest jazz album of the 1960's! BST-84195) Tracklisting: 1. Maiden Voyage 2. The Eye of the Hurricane 3. Little One 4. Survival of the Fittest 5. Dolphin Dance
	HERBIE HANCOCK Future Shock (1983 UK 3-track 12" vinyl single, also featuring a Megamix of six Herbie favourites. The picture sleeve has some light storagewear and the vinyl appears seldom played TA4075) Tracklisting: 1. Future Shock - Full Length Version 2. Earth Beat 3. Megamix - Autodrive, Tell Everybody, Doin' It, Rock It, I Thought It Was You, You Bet Your Love
	HERBIE HANCOCK Sunlight (1978 Japanese 5-track vinyl LP with guest appearances by Tony Williams and Jaco Pastorius, housed in a back-pasted picture sleeve with lyrics on the reverse and comes complete with detailed liner notes and obi-strip 25AP-1080) Tracklisting: Side One: 1. I Thought It Was You 8:54 2. Come Running To Me 8:23 Side Two: 3. Sunlight 7:09 4. No Means Yes 6:18 5. Good Question 8:31
	HERBIE HANCOCK Head Hunters (Back in print Analogue Productions 180-gram vinyl LP at 33RPM, mastered at Sterling Sound by Ryan Smith, plated and pressed at Quality Record Pressings. Herbie's best-selling jazz-funk masterpiece originallyreleased in 1973 and still gaining new fans to this day. A 5-star essential album sounding better than ever! Deluxe picture sleeve replicating the original artwork, printed by Stoughton and factory sealed inside its perforated loose bag. Highl Tracklisting: y recommended)��Herbie Hancock's best seller � a jazz-funk masterpiece now on 180-gram vinyl! "Columbia's LP release had decent sound, but Analogue Productions' new vinyl mastering by Ryan Smith at Sterling Sound, takes the sound up several notches from there. The LP is housed in a gorgeous film-laminated jacket from Stoughton Printing � it looks and sounds better than ever." Recording = 10/10; Music = 9.5/10 - Dennis D. Davis, Hi-Fi +, Issue 129 "I've enjoyed Mark Wilder's 1997 CD remastering of Head Hunters for Columbia/Legacy, but every time I played it, I thought I should pick it up on LP. Listening to the new Analogue Productions edition (AAPJ 084) confirmed that suspicion. Hancock's opening synth lines in 'Chameleon' thump soundly in both formats, but have cleaner edges from the new vinyl. More important, as the other instruments join in, each has more room to breathe. Harvey Mason's kick drum is too forward on the CD and crowds the music; on AP's LP, it's audible but in support. Reverb is now audible in the notes of Bennie Maupin's sax, and Paul Jackson's bass, still the funk backbone of the album, isn't as overbearing as it now sometimes sounds to me on the CD. AP's 33.3rpm mastering gives each instrument space, and by deepening the soundstage it humanizes Hancock's electronic keyboards and burnishes some of the high-treble edge they have on the CD. ... This new pressing lets you hear how carefully Hancock constructed the music, and how well he and the other musicians worked together to bring it to life." � Joseph Taylor, SoundStage! Hi-Fi, October 2015 There are few artists in the music industry who have had more influence on acoustic and electronic jazz and R&B than Herbie Hancock. In 1963, Miles Davis invited Hancock to join the Miles Davis Quintet. During his five years with Davis, Herbie recorded many classics with the jazz legend including ESP, Nefertiti and Sorcerer, and later on he made appearances on Davis' groundbreaking In a Silent Way and Bitches Brew. Hancock's own solo career blossomed on Blue Note, with classic albums including Maiden Voyage, Empyrean Isles and Speak Like a Child. After leaving Davis' fold, Herbie put together a new band called The Headhunters and, in 1973 in San Francisco, recorded Head Hunters. Head Hunters became not only Hancock's best-selling album, but also the second highest selling jazz album of all time (at last RIAA count). It was in 1973 that he gathered a new band to combine electric music with funk, perhaps best exemplified in the pop music of Sly Stone. Hancock took over all synthesizer duties, along with Fender Rhodes and clavinet and was backed by bass and drums. The opening bars of "Watermelon Man" with Bill Summers blowing into a beer bottle, along with the band's funky grooves and new electric sounds, captured the crossover fans who had otherwise avoided buying jazz records. Head Hunters was a pivotal point in Hancock's career, bringing him into the vanguard of jazz fusion. Hancock had pushed avant-garde boundaries on his own albums and with Miles Davis, but he had never devoted himself to the groove as he did on Head Hunters. Drawing heavily from Sly Stone, Curtis Mayfield and James Brown, Hancock developed deeply funky, even gritty, rhythms over which he soloed on electric synthesizers, bringing the instrument to the forefront in jazz. It had all of the sensibilities of jazz, particularly in the way it wound off into long improvisations, but its rhythms were firmly planted in funk, soul and R&B, giving it a mass appeal that made it the biggest-selling jazz album of all time (a record which was later broken). Jazz purists, of course, decried the experiments at the time, but Head Hunters still sounds fresh and vital four decades after its initial release, and its genre-bending proved vastly influential on not only jazz, but funk, soul and hip-hop. Side A 1. Chameleon 15:43 2. Watermelon Man 6:30 Side B 3. Sly 10:19 4. Vein Melter 9:10
	HERBIE HANCOCK Sunlight (1978 UK 5-track LP, opening with the vocodered-bliss of the hit single I Thought It Was You, later taken to Japan for the Kimiko Kasai version, & ending on the tough Fusion workout of 'Good Question' with Jaco Pastorius at his best. The picture sleeve,on the reverse, illustrating Herbie's monstrous keyboard set-up! The sleeve has some light edge and spinewear, whilst the vinyl shows only light signs of play, remaining Excellent) Tracklisting: 1. I Thought It Was You 2. Come Running To Me 3. Sunlight 4. No Means Yes 5. Good Question

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