Selling Miles Davis Vinyl LPs, Vinyl LP Records, CDs & Memorabilia. Who buys old Miles Davis LPs records albums, Vinyl LP & Singles I can sell to?

Established in 1985, for over 39 years eil.com (also known as Esprit) has been the world's largest buyer of premium quality and top condition rare and vintage vinyl records, rare CD's and music memorabilia. And we are proud of it.
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	MILES DAVIS Milestones (Scarce 1958 UK first press 6-track mono LP on the rough textured black & silver Fontana label, featuring Miles' classic Sextet period, with Cannonball Adderley & John Coltrane also at the top of their game. The album includes the essential title track plus Miles' wonderful take on Thelonious Monk's Straight No Chaser, & comes housed in the original fully laminated flipback picture sleeve. The sleeve shows some edge scuffing & minor spots of discolouring with Tracklisting: age. The heavyweight vinyl is clean & grades VG+/EX- with just the odd faint paper hairline mark to show play TFL5035)��1. Dr Jekyll 2. Sid's Ahead 3. Two Bass Hit 4. Milestones 5. Billy Boy 6. Straight, No Chaser
	MILES DAVIS Big Fun (1974 UK plain orange label 4-track double LP, starring John McLaughlin, Wayne Shorter, Billy Cobham, Dave Holland, Ron Carter, Jack DeJohnette, Joe Zawinul, Chick Corea & more. Includes the out-of-this-world 'Go Ahead John', with wild panning effects! The gatefold picture sleeve is Excellent with a just a little edgewear & the vinyl is stunning near 'as new') Tracklisting: 1. Great Expectations 2. Ife 3. Go Ahead John 4. Lonely Fire
	MILES DAVIS In A Silent Way (1969 UK first press stereo LP on the smooth & plain orange label, produced by Teo Marceo & starring a fittingly stunning array of musicians including Herbie Hancock, Chick Corea, Wayne Shorter, Dave Holland, Joe Zawinul, John McLaughlin & Tony Williams. Housed in a front laminated picture sleeve with the back featuring Miles looking about as cool as can be. The sleeve shows some light edgewear/discolouration to back with light ringwear/corner creases bu Tracklisting: t this does not affect any images or text; whilst the vinyl appears barely played)��Shhh/ Peacful In A Silent Way/ It's About That Time
	MILES DAVIS Live Evil (Record Store Day Black Friday 2021 limited edition 8-track double album 2-LP pressed on Opaque Teal Coloured Vinyl. Captured live during his legendary 1970 stand at Washington DC�s Cellar Door and edited by producer Teo Macero, the recording features Miles joined by Gary Bartz, John McLaughlin, Keith Jarrett, Michael Henderson, Jack DeJohnette and Airto Moreira. Gatefold picture sleeve, with Tracklisting: hype sticker, factory sealed)��Miles Davis� Live-Evil turns 50 in November and this jazz-funk landmark double LP is a 100-minute workout of hard grooves and rhythmic explorations. Captured live during his legendary 1970 stand at Washington DC�s Cellar Door and then edited by producer Teo Macero, the recording features Miles joined by a murderer�s row of musicians: Gary Bartz, John McLaughlin, Keith Jarrett, Michael Henderson, Jack DeJohnette and Airto Moreira. The album�s striking cover by legendary illustrator Mati Klarwein is complemented by two slabs of exclusive limited edition opaque teal colored vinyl. Side A Sivad Little Church Medley: Gemini/Double Image Side B What I Say Nem Um Talvez Side C Selim Funk Tonk Side D Inamorata and Narration by Conrad Roberts
	MILES DAVIS Bitches Brew (2009 US exclusive 6-track 2-LP set pressed on 180gram VIRGIN VINYL, issued as part of Columbia's 'Legacy Vinyl' series, originally released in June 1970, Davis' groundbreaking experimental mixture of jazz and improvised rock, employing more electric and electronic touches, utilising the recording studio as musical instrument, and laying the groundwork for what would become known as 'jazz fusion', presented in sealed & stickered gatefold sleeve) Tracklisting: 1. Pharaoh's Dance 2. Bitches Brew 3. Spanish Key 4. John McLaughlin 5. Miles Runs the Voodoo Down 6. Sanctuary
	MILES DAVIS Kind Of Blue (UHQR limited edition 33RPM 5-track LP from Analogue Productions, the definitive Ultra High Quality Record, each one hand-pressed on a manual Finebilt press using Clarity Vinyl� - the best-sellingalbum in jazz history, mastered directly from the original master tapes by Bernie Grundman and speed-corrected, just as he did with the Classic Records 1995 reissue. Purest possible pressing housed inside a most visually stunning presentation Tracklisting: package. Brand new & factory sealed) See more info for full details...��Definitive handmade Ultra High Quality Record pressed at Quality Record Pressings using Clarity Vinyl� on a manual Finebilt press. "The result (drum rolls) is the best-sounding Kind of Blue ever, superior in every way to all previous pressings, including the original. The pressing is superquiet, allowing the slightest of details to pop out from the black backdrop. Cobb's drumkit is spooky real. I've heard this album, in one version or another, hundreds of times, and there are fine touches in Cobb's snare swooshes and cymbal taps � accents on accents, rhythms within rhythms � that I've never heard before. Chamber's bass lines are stunningly clear: the notes he's playing, the pluck of the strings, the glow of the wood. There are also new layers of detail in Miles' mouthpiece manipulations, Evans's pedal work, and the sheer beauty of Coltrane's and Adderley's saxophones. ... the chase is eternal. This reissue holds the brass ring, for now." � Fred Kaplan, Stereophile, August 2021 "Until now The Classic Records Clarity Vinyl Flat Profile version of Kind of Blue was the closest to the sound on the three track session master from which it was cut. The Analogue Productions UHQR pressing from the same metal parts has taken it up a notch and gotten us even closer to the sound on those 1/2" analog session master tapes! Buy two so you have one for a backup or to give someone the gift of music!" � Michael Hobson, founder of Classic Records Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording � a five-track masterpiece of melancholy mood and melody. It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wynton Kelly playing piano on "Freddy the Freeloader." The 200-gram records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product. Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick," Davis complained in a 1958 interview for The Jazz Review. "... There will be fewer chords but infinite possibilities as to what to do with them." Kind of Blue is, in a sense, all melody � and atmosphere. None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune. Miles remained proud of the album, performing at least two of its tracks � "So What" and "All Blues" � for years after, until his musical path took him in a different direction. History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records � LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day � Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio. A minor audio complication with Kind of Blue has been addressed with this UHQR edition. The motor on the studio's 3-track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What," "Freddie Freeloader" and "Blue in Green," making them a barely perceptible quarter-tone sharp.This issue was finally addressed with the Classic Records reissue in 1995. This UHQR was pressed from the same parts that Bernie Grundman cut directly from the original 3-track masters for Classic in '95. Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our UHQR series the world's best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment. Side A 1. So What 2. Freddie Freeloader 3. Blue In Green Side B 1. Flamenco Sketches 2. All Blues ...

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