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	GTO'S Permanent Damage (Rare 1969 US 17-track LP produced by Frank Zappa & also featuring [uncredited] Jeff Beck, members of the Faces & the Mothers, housed in an internal pasted gatefold picture sleeve complete with the 12-page booklet whichis often missing, and record company inner. The sleeve shows some edge scuffing & minor shelfwear, nothing more than par for the course on a sleeve of this design, the booklet has light signs of age with a small amount of foxing, and the vinyl is Tracklisting: superb & remains in excellent condition with only a couple of light inaudible surface marks to show for its almost fifty five years - a wonderful copy of this quirky album! STS1059) See 'More Info' ...��With Frank Zappa's unerring sense of 'History In The Making' and love of social documentary, both in his own work & that of others, it was near inevitable that he should document the phenomenon that were The GTO's. Miss Pamela & Miss Christine also happened to be little Moon's babysitters, so Frank received most of the stories first hand & decided that they really needed to be preserved for posterity. He gave The GTO's a timetable for composing a selection of songs to be included on a potential album, but it was still meant to be a free form expression of a never to be repeated time and a place where liberation & na�vet� went hand in hand in almost equal measures. This is documented literally by Pamela des Barres in her excellent book 'I'm With The Band', which itself is based on her personal diaries from the period. The backing musicians / celebrities involved are certainly no lightweights, with various Mothers participating, along with Jeff Beck, Russ Titelman, Ry Cooder, Lowell George, Davy Jones, Rodney Bingenheimer & even a young Rod Stewart. The GTO's were always a loosely knit conglomerate, originally calling themselves 'The Laurel Canyon Ballet Company', as their primary form of expression was usually dancing at celebrated Los Angeles nightspots in front of their favourite bands. That said, they did actually perform some of the album material at a gig at The Shrine Auditorium which received good reviews, but their very essence was their temporary status, so this was rarely repeated. As an album, it has its moments, & it is certainly dripping with charm & cute. As a historical document it is probably as important a statement as any that have been made before or since by anybody that was there at the time. Thanks, Frank. Tracklisting: 01. The Eureka Springs Garbage Lady 02. Miss Pamela and Miss Sparky Discuss Stuffed Bras and Some of Their Early Gym Class experiences 03. Who's Jim Sox? 04. Kansas and the BTO's 05. The Captain's Fat Theresa Shoes 06. Wouldn't It Be Sad if There Were No Cones? 07. Do Me in Once and I'll Be Sad, Do Me in Twice and I'll Know Better (Circular Circulation) 08. Moche Monster Review 09. TV Lives 10. Rodney 11. I Have a Paintbrush in My Hand to Color a Triangle 12. Miss Christine's First Conversation With the Plaster Casters of Chicago 13. The Original GTO's 14. Ghost Chained to the Past, Present, and Future (Shock Treatment) 15. Love on an Eleven Year Old Level 16. Miss Pamela's First Conversation With the Plaster Casters of Chicago 17. I'm in Love With the Ooo-Ooo Man
	GTO'S Signed Photograph (Scarce Canadian Enigma Records 8" x 10" promotional black & white publicity photograph from circa 2007 and features a great images of the girls taken in the 1960, this has been boldly AUTOGRAPHED by Miss Pamela [Pamela Des Barres] and Miss Mercy across the picture in a metalic pink marker pen - stunning and ideal for framing!) Complete With Certificate Of Authenticity
	GTO'S Permanent Damage (Rare 1989 US 17-track CD produced by Frank Zappa & also featuring [uncredited] Jeff Beck, members of the Faces & the Mothers, fold-out picture sleeve. R270354) See 'More Info' ... Tracklisting: With Frank Zappa's unerring sense of 'History In The Making' and love of social documentary, both in his own work & that of others, it was near inevitable that he should document the phenomenon that were The GTO's. Miss Pamela & Miss Christine also happened to be little Moon's babysitters, so Frank received most of the stories first hand & decided that they really needed to be preserved for posterity. He gave The GTO's a timetable for composing a selection of songs to be included on a potential album, but it was still meant to be a free form expression of a never to be repeated time and a place where liberation & na�vet� went hand in hand in almost equal measures. This is documented literally by Pamela des Barres in her excellent book 'I'm With The Band', which itself is based on her personal diaries from the period. The backing musicians / celebrities involved are certainly no lightweights, with various Mothers participating, along with Jeff Beck, Russ Titelman, Ry Cooder, Lowell George, Davy Jones, Rodney Bingenheimer & even a young Rod Stewart. The GTO's were always a loosely knit conglomerate, originally calling themselves 'The Laurel Canyon Ballet Company', as their primary form of expression was usually dancing at celebrated Los Angeles nightspots in front of their favourite bands. That said, they did actually perform some of the album material at a gig at The Shrine Auditorium which received good reviews, but their very essence was their temporary status, so this was rarely repeated. As an album, it has its moments, & it is certainly dripping with charm & cute. As a historical document it is probably as important a statement as any that have been made before or since by anybody that was there at the time. Thanks, Frank. Tracklisting: 01. The Eureka Springs Garbage Lady 02. Miss Pamela and Miss Sparky Discuss Stuffed Bras and Some of Their Early Gym Class experiences 03. Who's Jim Sox? 04. Kansas and the BTO's 05. The Captain's Fat Theresa Shoes 06. Wouldn't It Be Sad if There Were No Cones? 07. Do Me in Once and I'll Be Sad, Do Me in Twice and I'll Know Better (Circular Circulation) 08. Moche Monster Review 09. TV Lives 10. Rodney 11. I Have a Paintbrush in My Hand to Color a Triangle 12. Miss Christine's First Conversation With the Plaster Casters of Chicago 13. The Original GTO's 14. Ghost Chained to the Past, Present, and Future (Shock Treatment) 15. Love on an Eleven Year Old Level 16. Miss Pamela's First Conversation With the Plaster Casters of Chicago 17. I'm in Love With the Ooo-Ooo Man
	GTO'S Permanent Damage Counter Display (Incredibly Rare US Counter Stand for the 1969 LP produced by Frank Zappa & also featuring [uncredited] Jeff Beck, members of the Faces & the Mothers, full size art picture to the front and fold out standon the back. This time warp collectible appears never to have been unfolded so remains pretty much as it did over fifty years ago. You have a lot more chance of finding a copy of the album than one of these, especially near 'as new' like thiso Tracklisting: ne! STS1059)��With Frank Zappa's unerring sense of 'History In The Making' and love of social documentary, both in his own work & that of others, it was near inevitable that he should document the phenomenon that were The GTO's. Miss Pamela & Miss Christine also happened to be little Moon's babysitters, so Frank received most of the stories first hand & decided that they really needed to be preserved for posterity. He gave The GTO's a timetable for composing a selection of songs to be included on a potential album, but it was still meant to be a free form expression of a never to be repeated time and a place where liberation & na�vet� went hand in hand in almost equal measures. This is documented literally by Pamela des Barres in her excellent book 'I'm With The Band', which itself is based on her personal diaries from the period. The backing musicians / celebrities involved are certainly no lightweights, with various Mothers participating, along with Jeff Beck, Russ Titelman, Ry Cooder, Lowell George, Davy Jones, Rodney Bingenheimer & even a young Rod Stewart. The GTO's were always a loosely knit conglomerate, originally calling themselves 'The Laurel Canyon Ballet Company', as their primary form of expression was usually dancing at celebrated Los Angeles nightspots in front of their favourite bands. That said, they did actually perform some of the album material at a gig at The Shrine Auditorium which received good reviews, but their very essence was their temporary status, so this was rarely repeated. As an album, it has its moments, & it is certainly dripping with charm & cute. As a historical document it is probably as important a statement as any that have been made before or since by anybody that was there at the time. Thanks, Frank.
	GTO'S Permanent Damage (Rare 1969 US 17-track LP produced by Frank Zappa & also featuring [uncredited] Jeff Beck, members of the Faces & the Mothers, gatefold picture sleeve. The sleeve shows some light edge scuffing & minor shelfwear, nothing more than par for the course on a sleeve of this design, and the vinyl is superb & remains in excellent condition with only a couple of light inaudible surface marks to show for its forty years - a wonderful copy of this quirky album! STS1059) Tracklisting: R> See 'More Info' ...��With Frank Zappa's unerring sense of 'History In The Making' and love of social documentary, both in his own work & that of others, it was near inevitable that he should document the phenomenon that were The GTO's. Miss Pamela & Miss Christine also happened to be little Moon's babysitters, so Frank received most of the stories first hand & decided that they really needed to be preserved for posterity. He gave The GTO's a timetable for composing a selection of songs to be included on a potential album, but it was still meant to be a free form expression of a never to be repeated time and a place where liberation & na�vet� went hand in hand in almost equal measures. This is documented literally by Pamela des Barres in her excellent book 'I'm With The Band', which itself is based on her personal diaries from the period. The backing musicians / celebrities involved are certainly no lightweights, with various Mothers participating, along with Jeff Beck, Russ Titelman, Ry Cooder, Lowell George, Davy Jones, Rodney Bingenheimer & even a young Rod Stewart. The GTO's were always a loosely knit conglomerate, originally calling themselves 'The Laurel Canyon Ballet Company', as their primary form of expression was usually dancing at celebrated Los Angeles nightspots in front of their favourite bands. That said, they did actually perform some of the album material at a gig at The Shrine Auditorium which received good reviews, but their very essence was their temporary status, so this was rarely repeated. As an album, it has its moments, & it is certainly dripping with charm & cute. As a historical document it is probably as important a statement as any that have been made before or since by anybody that was there at the time. Thanks, Frank. Tracklisting: 01. The Eureka Springs Garbage Lady 02. Miss Pamela and Miss Sparky Discuss Stuffed Bras and Some of Their Early Gym Class experiences 03. Who's Jim Sox? 04. Kansas and the BTO's 05. The Captain's Fat Theresa Shoes 06. Wouldn't It Be Sad if There Were No Cones? 07. Do Me in Once and I'll Be Sad, Do Me in Twice and I'll Know Better (Circular Circulation) 08. Moche Monster Review 09. TV Lives 10. Rodney 11. I Have a Paintbrush in My Hand to Color a Triangle 12. Miss Christine's First Conversation With the Plaster Casters of Chicago 13. The Original GTO's 14. Ghost Chained to the Past, Present, and Future (Shock Treatment) 15. Love on an Eleven Year Old Level 16. Miss Pamela's First Conversation With the Plaster Casters of Chicago 17. I'm in Love With the Ooo-Ooo Man

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